Alyse Rađenović

16 March, 2017

2017-18 Old Town Alexandria Alley

Filed under: Uncategorized — Tags: , , , , , , , — Radenovic Alyse @ 3:53 pm
2017_18_alyse_radenovic_1000

2017-18 Old Town Alexandria Alley by Alyse Radenovic

2017-18 Old Town Alexandria Alley
20 x 16 inches, Acrylic on canvas
by Alyse Radenovic
http://www.alyseradenovic.com/paintings11.htm
Colorful alleyway in Alexandria, Virgnia

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2 June, 2016

2016-36 Roses

Filed under: Uncategorized — Tags: , , , , , , , — Radenovic Alyse @ 12:01 am

roses

2016-36 Roses
by Alyse Radenovic
Acrylic on Canvas, 20 x 16 inches
Pink roses with yellow and orange on light blue

 

25 July, 2013

MTT: United States Botanic Garden and Stunning Art by Alyse Radenovic: Plants and National Identity

“people are represented by frailty – and nature by power and strength”

July 23, 2014

Lovely and fascinating review of my paintings of The United States Botanic Garden in Washington, D.C. by Lee Jay Walker at Modern Tokyo Times
The fourth in a series. Read it here:
United States Botanic Garden and Stunning Art by Alyse Radenovic: Plants and National Identity

LeeJayWalkerWashingtonDCBotanicGardenPaintings

29 June, 2013

MTT at Pravoslavie.ru “Alyse Radenovic and Art: Remembering the Serbian Christian Victims of Bratunac in Bosnia”

Filed under: Uncategorized — Tags: , , , , — Radenovic Alyse @ 3:43 am

Lee Jay Walker’s brilliant  Modern Tokyo Times article Alyse Radenovic and Art: Remembering the Serbian Christian Victims of Bratunac in Bosnia  June 11, 2013

Modern Tokyo Times: Alyse Radenovic and Art: Remembering the Serbian Christian Victims of Bratunac in Bosnia

Now published at Pravoslavie.ru

Bratunac paintings

4 May, 2012

Solo Exhibition at Matica Crnogorska Gallery Space

Alyse Radenovic painting exhibit opened tonight at Matica crnogorska, Herceg Novi branch.

See more images from the show at my facebook album here

FRAGMENTS FROM A DISTANT WORLD

The photography of life, like the flicker that catches us in a moment with all its strength, is for me, absolute art. One who takes such a flicker and converts it to the word, the picture, the sketch, or who desires to merge it with some other forces of artistic weaving, is a fortunate being. Entirely the opposite, exist absorbers, watchers of such states, who live to recognize, to complement themselves with these same flickers, which they lack. Thus we seek one another, and in essence, we live art.

Alyse Radenovic, with the opus “I pass this way, do you see me” hands over to us a part of her moving picture, in which she experiences landscape, antiquity, the worn church facade, the wild-grown flower: to be preserved forever. In real time, to make a recording of the environment as a satisfied consumer, and to make (justifiably) domination of the self – the work is demanding. Cathartic aspirations are the foundation of every attempt in the process of creation, of valid art. Radenovic, seemingly, looks relaxed – timeless – and essentially is “here and now”. The symbolism with she expresses herself is completely feminine, yet without filigreed arrogance. With freed movement she shapes a world she is emotionally experiencing… but again the world which she is repeating as a flicker. If we turn around with our creations, artistically and individually, we will realize that we draw, we paint, we sculpt, we create music, we dance or we write only about ourselves and for ourselves. And that is justification, without alibi, compromised, cruel and so vitally necessary. If we do not pass this lucid flux through the aura from which we are built …to us there is nothing of art. In regard to this, it is again worth saying, there are no talented, but rather only illuminated, personae …which there “only” have the heart to start searching her cut-off soul, for that ambivalent character and strength… which is here somewhere …visible …well invisible.

Radenovic, although a foreigner to our understanding of US Geography, stamps our landscape, with an almost eerie strength. As if she had been born several times, on these kartsts, rivers and seas, which we pay no attention to anymore. Certainly it has always been the rule, that all is far better seen from a distance. Her dimension measured by nautical miles brought us closer than was her intention (it seems).

Alyse is today in Arlington, in the state of Virginia, thus simply happy to give to us, and that we have enough of the flickers for her emotion in art.

– Marija ČOLPA

FRAGMENTI IZ DALEKOG SVIJETA

Fotografisanje života, kao treptaj onog što nas na trenutak ulovi svom svojom silinom, za mene je apsolutna umjetnost. Onaj što umije takav treptaj prebaciti u riječ, sliku, crtež ili se želi stopiti s nekim drugim snagama umjetničkog tkanja, je sretno biće. Sasvim suprotno, postoje upijači, gledači takvih stanja, koji žive da prepoznaju, da se nadopune tim istim treptajem, što im nedostaje. Tako tragamo jedni za drugima, a u biti živimo umjetnost.

Alyse Rađenović, opusom „Prolazim ovuda, vidiš li me“ predaje nam djelić svoje pokretne slike, u kojoj doživljava pejzaž, starinu, otučenu crkvenu fasadu, samonikli cvijet, na čuvanje za uvijek. U realnom vremenu, činiti zapis okružja kao zadovoljni konzument, a baviti se (sasvim opravdano) dominatom sebe, zahtjevna je rabota. Katarzička sremljenja su osnov svakog pokušaja u procesu stvaranja, validne umjetnosti. Rađenović, naizgled, djeluje opušteno, bezvremenski, a suštinski je „ovdje i sada“. Simbolika kojom se izražava je sasvim damska, ali bez filigranske nadmenosti. Ona slobodnim pokretom oblikuje svijet kojeg u sebi emotivno doživljava…ali i ponavlja kao treptaj. Okrenemo li se oko svojih uradaka, umjetnički i pojedinačno, shvatićemo da crtamo, slikamo, vajamo, muziciramo, plešemo ili pišemo samo o sebi ili za sebe. I to je opravdanje, bez alibija. Kompromisno, surovo i tako neophodno potrebno. Ukoliko ne provučemo taj lucidni fluks, kroz auru od koje smo sazdani…nema nam ništa od umjetnosti. S tim u vezi, opet valja reći, da nema talentovanih, već samo osvijetljenih persona…koji eto „samo“ imaju herca da otpočnu potragu za svojom otkinutom dušom, za onim podvojenim likom i snagom…koja je tu negdje…vidljiva…pa nevidljiva.

Rađenović, iako strankinja za naše poimanje USA geografije, pečatira naš krajolik, gotovo začudnom snagom. Kao da se rađala nekoliko puta, na ovim kršima, rijekama i morima, na koje mi sami, više ne obraćamo pažnju. Svakako da je oduvjek vrijedilo pravilo, da se sve mnogo bolje vidi iz daljine. Ona je svoju dimenziju mjerenu nautičkim miljama približila više nama, nego što joj je to bila namjera (čini se).

Alyse je danas u Arlingtonu u državi Virginia, tako jednostavno sretna što nam se poklonila, i što smo imali dovoljno treptaja za njenu emociju u umjetnosti.

– Marija ČOLPA

7 November, 2011

Paintings No.08

Filed under: Uncategorized — Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , — Radenovic Alyse @ 6:38 am

 

Paintings by Alyse Radenovic, May-November 2011

Song “Blue Mountain” copyright Kokan Dimusevski, all rights reserved

(paintings in order: 2011-088 Bratunac, 2011-086 Vrbas River – Banja Luka, 2011-075 Trg Krajine, 2011-096 Ilidza, 2011-091 Ilidza, 2011-174 Stara Crkva u Sarajevu, 2011-156 Kalemegdan, 2011-071 Kalemegdan, 2011-095 Ilidza, 2011-094 Ilidza, 2011-089 Naval Shipyard – Portsmouth, Virginia, 2011-061 Lukavica, 2011-081 Norfolk, Virginia, 2011-152 Arlington, Virginia, 2011-077 Filozofski fakultet u Sarajevu, 2011-172 Novo Sarajevo, 2011-119 Bosnia, 2011-118 Pentagon City – Arlington, Virginia, 2011-173 Bosnia, 2011-098 Cengic Vila – Sarajevo, 2011-097 Mrkovici, 2011-099 Gazi Husrev-begova Dzamija, 2011-078 Mrkovici, 2011-084 Bascarsija, 2011-106 Laus – Banja Luka, 2011-105 National Zoo – Washington, D.C., 2011-103 National Zoo – Washington, D.C., 2011-170 Mrkovici, 2011-131 Bascarsija, 2011-130 Amman, 2011-155 Hampton Roads Bridge Tunnel, 2011-069 Washington Monument, 2011-065 Gazi Husrev-begova Dzamija, 2011-169 Beograd, 2011-132 Lukavica, 2011-111 Lukavica, 2011-073 National Air and Space Museum, 2011-121 Arlington, Virginia, 2011-063 Bascarsija, 2011-070 Gazi Husrev-begova Dzamija, 2011-104 Alexandria, Virginia, 2011-102 Lukavica, 2011-064 Air Force Memorial, 2011-110 Srebrenica, 2011-072 Kalemegdan, 2011-068 Lublin, 2011-067 Frankfurt-am-Main, 2011-117 Warszawa, 2011-123 Arlington, Virginia, 2011-148 Arlington, Virginia, 2011-153 Arlington, Virginia, 2011-177 Lukavica, 2011-060 Stara Crkva u Sarajevu, 2011-179 Mrkovici, 2011-157 Arlington, Virginia, 2011-168 Washington, D.C., 2011-160 Srebrenica, 2011-176 Energoinvest: Dalekovodinzenjering – Bratunac, 2011-159 National Zoo – Washington, D.C., 2011-158 Arlington, Virginia, 2011-076 Greenwood, Mississippi, 2011-137 Arlington, Virginia, 2011-080 Warszawa, 2011-150 Mem, 2011-149 Mem, 2011-062 Red, 2011-178 Blue, 2011-175 Serbian Flag, 2011-079 Srebrenica)

9 October, 2009

Alyse Radenovic (Radjenovic) Paintings No.04, Summer 2009

Alyse Radenovic (Radjenovic) Painting Portfolio No.04, June 2009-October  2009
http://www.aelisheva.com

Song “Ne Klepeci Nanulama” is courtesy of Kokan Dimusevski
Copyright Aura Publishing Co, Ltd 2009, all rights reserved
http://www.dimusevski.com.mk